If you've been following me for some time, you may have noticed that I don’t often rush to create new pieces. This approach mirrors my personal style and way of life—simple, intentional, and consistent. I’m someone who values practicality, which is reflected in my choices. For instance, I don’t change bags frequently; I prefer to invest in a few carefully selected pieces that I wear day in and day out until it’s time for something new. The same goes for my wardrobe—I don’t shop impulsively. I take my time, waiting months to decide if a piece is truly something I’ll cherish or simply a fleeting trend.
I consider myself a conscious consumer, and I don’t like to buy anything I won’t use or wear regularly. You may be wondering, "What does this have to do with jewelry?" And my answer is: Everything.
For me, jewelry is like a second skin. I wear the same pieces daily, adjusting a few earrings here and there, but overall, my style is consistent. I know what I like, and I stick to it. My jewelry becomes part of who I am—it’s not about trends or seasons. It's about pieces that hold meaning, that feel timeless and personal.
Earlier this year, I found myself facing a creative block, a lack of inspiration. But I’ve come to realize that sometimes, inspiration simply has to find me while I’m working—at its own time and pace. I don’t follow the typical fashion cycles or create seasonal collections.
My pieces are meant to be worn over time, to become intertwined with the stories of your life, and to grow in sentimental value.
Once I embraced this, I let go of the pressure to create on a schedule and allowed myself to focus on designing only when it feels truly right.
I’m thrilled to be writing again, reconnecting with you through this newsletter. It’s a reminder that my work isn’t just about the physical pieces; it’s about the deeper connection and resonance they hold. Jewelry, after all, is not just adornment—it’s personal, it’s intimate, and it’s a reflection of who we are.
In the coming months, I look forward to exploring themes like architecture, archival fashion, and, of course, how all of these influences connect with my approach to jewelry design.
Thank you for being a part of this journey with me.
Warmly,
-np
ON MY MOODBOARD LATELY
Alaïa 1990 Runway Jacket. I love vinatge. I have loved early Alaia pieces since my days as an intern at the PR offices of What goes Around Comes Around in teh early 2000's. This jacket feels modern to the times we live in. The oversized shoulder and cinched waist gives it a feminine yet powerful silhouette. I would wear it with a pair of Phoebe Philo zip jeans and pointy shoes.
LAUREL I Ring with cushion Diamond (made to order). My favorite ring. I haven't yet found the diamond I want for my own. This was a reseting for a client and it is such a timeless and architectual.
Phoebe Philo. Phoebe is my girl, she has been for years. I love how her clothing feels comfortable, modern yet bold empowered.
Galerie 54, Paris, France. Visited one of my favorite galeries I have been following on Instagram for years, due to their exquisite selection of my favorite designers like Perriand, Prouvé, Jeanneret, amognst others. This was the entryway of their building whcih was designed by Jean Prouvé.
PLACA Pendant with 1.12ct grey diamond custom. I love my PLACAS, they translate to "plaque" in portuguese, my native language, and they are really meant to feel like a modern plaque and the best part is that you can customize them with hand engraving on the back or add a diamond like this one I made for a client.
Phoebe Philo Gig Pouch. My next bag purchase. I don't normally wear patterns but this one feels cool and very much like me.
Phoebe Philo Zip Jeans. I haven't been able to try them in person yet in my size. I did find them at the Dover Street Market in Paris but they were out of my size but this has been on my wishlist since the launch of her brand.
